Northern RenaissancePreview image — download the full-resolution TIF after purchase
Basic Information
Historical Context
An engraving depicting a witch riding backwards on a goat through a stormy sky. This fantastical subject reflects Renaissance beliefs about witchcraft and the supernatural, which were widespread in Dürer's time. [Inferred from Dürer Catalog] Visual Description A nude or semi-nude female figure rides a goat backwards, surrounded by storm clouds and flying objects. She holds a distaff or other implements associated with witchcraft. Putti or demonic figures may accompany her. The sky churns with threatening clouds. Four putti blow wind in different directions below. Artistic Analysis This engraving demonstrates Dürer's fascination with the supernatural and his ability to render fantastical subjects with convincing physicality. The witch riding backwards on a goat was a well-established iconographic motif in Renaissance art, reflecting widespread beliefs about witchcraft. Dürer's treatment combines Gothic fantasy with classical engraving technique.
Artistic Appreciation
This engraving demonstrates Dürer's fascination with the supernatural and his ability to render fantastical subjects with convincing physicality. The witch riding backwards on a goat was a well-established iconographic motif in Renaissance art, reflecting widespread beliefs about witchcraft. Dürer's treatment combines Gothic fantasy with classical engraving technique.
The Witch (The Weather Witch)
Visual Description
A nude or semi-nude female figure rides a goat backwards, surrounded by storm clouds and flying objects. She holds a distaff or other implements associated with witchcraft. Putti or demonic figures may accompany her. The sky churns with threatening clouds. Four putti blow wind in different directions below. Artistic Analysis This engraving demonstrates Dürer's fascination with the supernatural and his ability to render fantastical subjects with convincing physicality. The witch riding backwards on a goat was a well-established iconographic motif in Renaissance art, reflecting widespread beliefs about witchcraft. Dürer's treatment combines Gothic fantasy with classical engraving technique.
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